All posts by Jim Groop

Festival Report: Saturday 1.7 at Provinssi, Seinäjoki


As usual, Provinssi offered a large variety of artists and bands in various genres during three days’ time. Some of this year’s drawing cards in rock and metal were The Killers, Airbourne, The Hives, In Flames, Danzig, Children of Bodom, Sabaton, Moonsorrow and Amaranthe.

Let us begin with the bad news. It was my intention to get to the festival area in time for Moonsorrow, but I was delayed and did not get to hear more than about 20 minutes of the gig. I apologize for this inconvenience. However, I did like what I heard from the band even though I only heard a part of one song in addition to the lengthy end song Ihmisen Aika (Kumarrus Pimeyteen). In my opinion, Moonsorrow is one of few bands that can use Finnish lyrics in a decent manner. Sadly, now I do not know what songs the played.

There is something with the Viking(/black) metal that Moonsorrow plays that works really well live, but I cannot pinpoint what it is. Moonsorrow played at four o’clock this time, and I think their show would be more suitable for later in the evening when it is a little darker. On the other hand, it does not really get dark at all this time of the year as long as the weather is clear, so the difference would perhaps not be significant. I hope that I will get the chance to see a complete set from Moonsorrow soon.

Swedish Amaranthe plays frequently in Finland and I have seen them live many times although it is not really my kind of music to listen to otherwise. Anyway, they are always good live and their music is such that it is very catchy in a live context. The band seems to be very popular in Finland and therefore always attracts a large audience. Their live show is very professional. This time Amaranthe played songs such as Maximize, Boomerang, The Nexus, Amaranthine, That Song and Drop Dead Cynical.

I have heard most of these songs many times now, so it would be nice if the band could update the setlist and play some more unusal songs. I will also repeat my complaint from last weekend, since I think Amaranthe could skip the encore and just play all the songs without the late break to go off the stage. Otherwise, I enjoy seeing Amaranthe every time because they play and sing very well. Furthermore, the audience seemed to like it a great deal and the atmosphere was great during the set.   

I do not have any relation to Danzig, and it might be that I have not even heard any other songs than Dirty Black Summer and Mother before I listened through what the band played on their last gig. I did not expect much from the Americans since they got some really shitty reviews of their gig in Sweden on Thursday. However, I think this was a fairly good performance. Danzig came from the states only to play at Bråvalla in Sweden and at Provinssi, so it is possible that they were jetlagged at their first gig in Sweden. Yes, vocalist Glenn Danzig does not sing very well, but I do not think that anyone really expects that from him anymore. On the other hand he did show some energy this evening, and he was angry in the beginning of the set since something was not right with the vocal sound. He made this very clear by knocking around one of the speakers in front of him a little.

Danzig opened with SkinCarver and also played songs like Twist of Cain, Devil on Hwy 9, Godless, Last Ride and of course both Dirty Black Summer and the last song Mother. The highlight for me was How the God Kills, and many in the audience seemed to enjoy the song as well. A very annoying thing during Danzig’s set was the fact that nobody was allowed to take any pictures, not even with their phones. Apparently, Danzig has some own strange rules about this since it did not apply to any other performances. The annoying thing here was that the security guards run around to stop people from taking pictures or filming during the set. I could not see that it said anywhere that it was not allowed, so most did not know about this. This prohibition is absolutely ridiculous and absurd from Danzig’s part, and I have no idea what the purpose of it is.

In Flames. Goodness gracious, where do I start with this? I have seen the Swedish band several times these last years and I know it is a brilliant live band, but this time was just crazy. The moshpit emerged during the second song Alias, after a slower beginning with the interesting and great Wallflower from the newest album. It then went on for the rest of the songs, and turned into massive pit on command from vocalist Anders Fridén during the last kick-in-the-balls-song Take This Life.

I do not know how they do it, but In Flames’ sound is just so unbelievably massive live. I cannot think of any other band that manages to create such a crushing soundscape and it makes In Flames one of the best live bands currently around. The band included songs like Deliver Us, Where the Dead Ships Dwell, Only for the Weak and the always awesome Cloud Connected, in addition to the already mentioned ones. Fridén also brought his son onto the stage and the band played the song Here until Forever, which is dedicated to the kiddo. This was an emotional and well performed song. In conclusion, In Flames crushed and the audience went nuts.

Provinssi was a huge success this year with a total of 65 000 attendants on three days. 25 000 visited the festival on Saturday. It usually rains when I visit Provinssi, but this time the weather was fantastic, which probably contributes to the high attendance. The best thing with the festival is the audience since the atmosphere is always great and people are not afraid to express their feelings towards the music through a certain type of motion. I have a feeling that I will be there next year as well, and I look forward to know the selection of bands already.

P.S. I could not find any relevant pictures for this post. Sorry about that.

Festival Report: Saturday 24.6 at Nummirock, Kauhajoki


This year’s Nummirock had a fairly strong and consistent line-up with band such as Devil Driver, Epica, Rhapsody, Insomnium, Wintersun, Raised Fist, Jinjer, Shade Empire, Ensiferum and many more. As is now more or less custom for me, I attended Nummirock on Saturday evening. The weather was rainy and it could not have been more than 10-12 °C, so wearing T-shirt and shorts was not an alternative this time.

We entered the festival area just as Epica started their gig on the main stage. I have not listened a great deal to Epica, but I can say that the band’s music works very well live in my opinion. Epica had to face a rather cold and therefore quite sedate audience, but the band members did their best to get the people moving. Epica started out with Edge of a Blade and A Phantasmic Parade from the new album The Holographic Principle, and these songs fits very well in the live set. They also played older songs such as Cry for the Moon, Sancta Terra and the gig’s last song Consign to Oblivion.

Escapade
Coen Janssen of Epica wanted to be closer to the audience. Photo by Jussi Panula

Epica is really fun to watch because the members really put on a show. I particularly enjoyed keyboardist Coen Janssen’s escapades down from the stage to be close to the audience with his unconventional, small, circular and portable keyboard. Furthermore, singer Simone Simons sings extremely well, but it was sometimes difficult to hear her voice properly due to slightly blurred sound. Epica is definitely worth seeing live even if you are not that familiar with the band’s music. I will have to give the band’s discography a real chance.

Next up was Whispered, the Finnish samurai metallers. These guys play some kind of progressive melodeath with some serious vibes from the Land of the Rising Sun. Whispered began their set with the song Strike, which I think is a really cool song. Some other songs of the set were Jikininki, Kensei, Lady of the Wind and an unexpected cover of Matti Nykänen’s terrible song Samurai. I can assure you that Whispered’s version was a lot better.

Whispered offer some really interesting guitar work, but there was something that was not right with the mix of the gig. The guitars were too low and the bass and bass drum occasionally made some additional unwanted sounds. Consequently, some of the really cool guitar parts did not sound as they should, which was indeed a shame. Still, the band delivered a well played set with a lot of energy. Do check them out if you are into Children of Bodom and the like.

After a break to avoid the rain for a while and to increase the layer of clothing, we returned to the main stage where Rhapsody played. The Italian symphonic power metal band is currently out on a reunion/farewell tour. I am not conversant in this mess, but it seems to include copyright issues with the original band name and later a division into two different bands. Anyway, this is a short reunion and at the same time a farewell tour.

Rhapsody
Rhapsody in the Finnish Midsummer weather. Photo by Jussi Panula.

I have never listened to Rhapsody because I have lost all interest in traditional power metal with age. However, power metal usually works quite well live, and I think Rhapsody delivered a good set.  Still, there are a three things that annoyed me. Firstly, that bloody drum solo. I believe I have written this before, but it shall be repeated. There are few things in this world that bores me as much as drum solos, so please stop including them in the sets, especially at fairly short festival gigs. Secondly and in relation to this, two ballads is one too many in a festival set in my opinion. Thirdly, the band should skip the part where they leave the stage and the audience is supposed to cheer them out once more. Again, it is a rather short festival gig and these guys were not even playing last. They could have played at least one more song if such time consuming factors were omitted.  Still, many in the audience seemed very happy about seeing Rhapsody, so I believe it was a succesful gig after all.

Some years have passed since I last saw Wolfheart, and it was nice to see Mr. Saukkonen and the guys again. Wolfheart started out with Shores of Lake Simpele and Boneyard from the new album Tyhjyys, and also played songs such as Zero Gravity, Abyss, Aeon of Cold, The Hunt and Routa Pt. Two. Guitarist Mika Lammassaari and bassist Lauri Silvonen engage in some serious headbanging in unbelievable rotation speed. I have no idea have they are able to play their instruments while doing that, so I raise my hat to their dedication to the art of banging head.

Due to some sound issues, Saukkonen’s vocals were not fully audible all the time, but the mix was otherwise quite good. Wolfheart offered a merciless set in the cold rain.  It feels like the cold weather suits the band’s winter metal pretty well.

Wintersun is one of those rare Finnish bands that I had not seen live until this day. Consequently, I had really been looking forward to this since I do listen to the band quite a great deal. This was perhaps especially interesting since Jari Mäenpää have decided to drop the guitar in the live sets so he can focus solely on the vocals.

Setlist:

  1. Awaken from the Dark Slumber (Spring)
  2. Winter Madness
  3. Beyond the Dark Sun
  4. Starchild
  5. Sleeping Stars
  6. Sons of Winter and Stars
  7. Death and the Healing
  8. Time

It was very interesting to hear the opening song since no full songs are yet available from the upcoming album The Forest Seasons. It is difficult to form an opinion only based on this, but it does sound promising. The songs from the first self titled album work excellent live because of a good combination of really fast songs, such as Winter Madness, and slower ones such as Death and the Healing.

I will go ahead and state that lead guitarist Teemu Mäntysaari is claiming the title as the best guitarist in Finland. The guitar solos in Death and the Healing are just unreal, and it is here also important to acknowledge the new guitarist Asim Searah, who does a very good job as well. Bassist Jukka Koskinen is also impressing both in playing and in contribution to the vocals. His low growls are massive. In relation to this, Wintersun offers some fantastic singing in parts since Mäntysaari, Searah and Koskinen are all able to sing great backing vocals, which I something that now makes Wintersun quite unique. I cannot think of any other bands that can pull off such difficult vocal parts so well live. And yes, I believe that Mäenpää made the right decision to focus on the vocals, becuase he sounds really good now. His growls are very powerful and his clean voice also sounds great. His voice started to crack a little towards the end on the high clean notes, but he manages to keep it together well anyway. The cold weather may have made it more difficult as well.

Wintersun
Wintersun after their awesome set. Photo by Jussi Panula.

I would have liked to see Kai Hahto behind the drums, but he is currently injured and cannot play the summer festivals. Luckily for the band, Timo Häkkinen (Sotajumala) is quite used to play in band live since Hahto has been touring with Nightwish lately. The really fast double bass drum parts sounded slightly off at times, but this may also be due to some sound issues. Anyway, Häkkinen has a brutally difficult task to stand in for Hahto, so he is off the hook in my book.

I am one of those rare individuals who prefer the album Time I over Wintersun (at least at the moment), so I found myself very excited during the last three songs of the set. Sons of Winter and Stars is a killer track, and I experienced moments of something close to ecstasy during Time. As I already mentioned, the amazing live version of Death and the Healing that split the two Time I songs was just great. The cold rain did not bother me at all. In conclusion, Wintersun exceeded all my expectations, and I truly hope to see them soon again.

And now to something that I am very ashamed of. This time I actually skipped Insomnium, the last band on the main stage at midnight. For, this would have been the third time within a year that I write about them, and I believe this says more about me than about them. Moreover, we had a two-hour drive home ahead of us, so we made the call to escape the bad weather to come home a little earlier (read: I am getting old). But I have to admit that it hurt my fanboy heart to hear the intro while walking towards the car.

All in all, Nummirock once again managed to offer a good selection of bands, and it is always a pleasure to visit the festival. Yeah, the weather was bad on this Saturday, but it is more or less symptomatic for most of my festival visits these last years. I still enjoyed Nummirock, and I assume that I will be there next year as well.

Throes of Dawn and Furciferi at Leipätehdas, Vaasa 7.4.


I had never listened to Throes of Dawn until about two weeks ago when I figured I had to check the band out since they were booked to play at Leipätehdas, a venue which happens to be located like twenty metres from the flat I am renting. I am very glad that I did, but I am at the same time ashamed of myself for not having established an acquaintance with this band earlier. Throes of Dawn has for some reason completely gone under my radar. But better late than never.

A local band called Furciferi played first at this Volume Metal Night. I find it difficult to say very much about the band since I had only heard a demo song in advance, but I think they delivered a nice gig with good drive in the songs. The sound was pretty blurred, but that is usually the case when a band with two guitars plays in a fairly small venue. Also, my earplugs are of very low quality, which at least does not improve the experience for me. Anyway, the guys in the band seemed to enjoy themselves and warmed up the audience well for the headliner of the evening.

Another local band, Psalms for the Dead Sun, was also supposed to play this evening, but unfortunately had to cancel their gig due to illness. I have seen them once before when they opened for Poisonblack, and it was a pleasant surprise that time. Thus, I had been looking forward to see them again, so the cancellation was a shame.

I did not have much time to familiarize myself with the songs of Throes of Dawn, but I listened to their most recent album called Our Voices Shall Remain and found myself enjoying it a great deal. The band played several songs from this, to my delight. The opening track Mesmerize is really quite an unusual type of song to open with since it starts out calmly and fairly quietly, but I think it works really well in this case. The song builds up towards the end and sets the mood for the rest of the show. From the same album we also got to hear We Used to Speak in Colours, The Undestanding, the excellent Lifelines and the title track Our Voices Shall Remain with the cool bass line which I like a lot.

Naturally, Throes of Dawn also played older songs like Transcendence and Vertigo from the album Quicksilver Clouds. I did not recognize all the songs of the night since I have not heard enough of the material prior to the gig, so I cannot say too much about the setlist. This means that I am not fully qualified to write this, but I think the band deserves the publicity. Throes of Dawn is nowadays based in Helsinki, but was originally formed in Vaasa as early as 1994. This fact was recognized and the guys finished off the gig with the title track of the first album Pakkasherra. The audience seemed to appreciate this.

Throes of Dawn’s music has some really interesting Pink Floyd-vibes, perhaps especially heard in the guitar solos of the new album, and these solos are in my opinion truly enjoyable. I really like the atmosphere of the music in general. It should be said that the new material with mostly clean vocals is quite different from the older more death/black metallic stuff, but I for one really think the guys have found their own thing here now.

Throes of Dawn will play at Tuska in Helsinki this summer, and I encourage everyone who is going there to check the band out. Outdoor festival most likely means better sound quality and such, so I am sure that will be a great gig. Also, do check out Our Voices Shall Remain because it is a very good album. I leave this here:

Gems of the North


Today is a theme day called Nordic Day, and it is only right to promote cooperation and companionship beyond country borders in times like these. So, in honour of the day I would like to seize the opportunity to bring out some cool bands, not only from Finland, but also from Finland’s Nordic fellow countries. The Nordic countries have a great deal of amazing metal and rock bands and influences have obviously been passed beyond country borders. This has resulted in a very strong rock and metal scene in the region. For those of you who are not familiar with the concept of the Nordic countries, I will here present you with a very brief and inadequate account. It is a geographical region in Northern Europe and it consists of the following countries: Finland, Sweden, Norway, Denmark, Iceland, the Faroe Islands and Greenland (both autonomous realms of Denmark) as well as Åland (autonomous realm of Finland).

Let me here grace you with some of the finest art the Nordic countries have to offer. As I have done before, I will try to avoid the most prominent and famous bands since there are others who need your recognition. My taste in music is in my opinion the best in the world since I actually exclusively listen to very good music, which consequently implies that this post will contain a great selection of tunes. Let us now together rejoice in this Nordic treasure.

Evergrey (Sweden) – The Storm Within

Evergrey has for quite some time been one of my favourite bands. This is the title track from the latest album, which in my opinion is one of the best albums of 2016. There is something with the atmosphere of this song that I just find very appealing, and it makes me both happy and sad at the same time. There is a whole bunch of faster and heavier tracks in the band’s discography as well, so do check Evergrey out if you have not already.

Mercenary (Denmark) – World Hate Center

Now we crank up the tempo. This song is from Mercenary’s killer album 11 Dreams. Seriously, this album is incredibly underrated, or perhaps rather overlooked. I urge you to listen through the whole thing if you find yourself in need for high quality music. This song has a great drive and a healthy combination of clean song and screaming. Sadly, neither of the vocalists heard on this track are in the band anymore. 

Hamferð (the Faroe Islands) – Evst

I found this doom metal band a few years ago and it immediately caught my fancy. The brutal growls mixed with the fantastic clean vocals of the frontman Jón Aldará is something out of the ordinary in my opinion. You may know him as the fairly new vocalist of the Finnish band Barren Earth. I also find it quite refreshing that the lyrics are in Faroese. Just a great song all in all.

Suburban Tribe (Finland) – While the World Awaits

These guys never really got the attention they would have deserved in my opinion, and they are not around anymore these days. I once had the opportunity to see them perform with a symphony orchestra and it was really good. This happened in a school gymnasium, which perhaps gives away that the band was not all that famous. I cannot really say that Suburban Tribe is a band that I listen a great deal to, but they have a great deal of excellent songs and this is indeed one of them. Suburban Tribe really had their own thing going on.

Sólstafir (Iceland) – Djákninn

Okay, so here I deviate from my intention to avoid the more renowned bands since Sólstafir probably is one of the most known bands from Iceland.  I pretty much fell for this song like a ton of bricks when I first heard it. It starts out quite slowly but then builds up and creates an almost hypnotic flow towards the end. The band uses both English and Icelandic lyrics, but the album Svartir Sandar, on which this track is found, is entirely in Icelandic. The music could be categorized as some sort of post-rock or possibly post-metal.

Audrey Horne (Norway) – Redemption Blues

Now to some rock ‘n’ roll. Audrey Horne performed at Sauna Open Air in Tampere back in 2010 and certainly caught my attention with their energetic live show. I have the band’s three first albums which are really good ones, but the musical direction of the tracks that I have heard on the two most recent albums have not really appealed to me. However, this particular song is from the band’s fourth album Youngblood, and this is without a doubt a great song.

Arctic Spirits (Greenland)Itillipput

Okay, so Greenland was a tough one and required some research. I managed to find this, which perhaps is not really my cup of tea, but I feel that Greenland needs to be represented as well. The production here is quite terrible, but the song itself is pretty interesting. I have no idea what it is about but I bet it is something really Arctic and cool.

Slumber (Sweden) – A Wanderer’s Star

I stumbled upon Slumber perhaps a year ago or so, and this song immediately got me hooked. Despite the fact that it is pretty straight forward melodic death/doom metal, the band had an original touch to their sound as far as I am concerned. The weird thing here is that Slumber never made another album even though Fallout seems to be pretty highly acclaimed. However, the same guys nowadays play in the band Atoma, but I for one prefer Slumber.

Saturnus (Denmark) – Wind Torn

We continue on the fairly depressive road we already started to go down. Saturnus is a band that I am not all too familiar with, mostly because their music usually is a little too slow for my taste. However, since I felt it was important to stay away from Volbeat and Mercyful Fate/King Diamond here, I gave Saturnus a chance. I enjoy this song for some reason even though the band’s music in general still simply is not for me. However, if you are into doom metal and in some strange way have been ignorant of this band’s existence, you should check them out.

Synarchy (the Faroe Islands) A Reason to Live

Synarchy is not a renowned band at all, and I have to admit that I found this as a result of scrupulous research of the Faroese bands. This is because I did not want to include Týr here since they are quite well known already. Synarchy’s music is perhaps not that original, but I really enjoy this song anyway. I particularly like the bass part in the other half of the song.

Marianas Rest (Finland) – Nadir

This is a band I discovered recently and the song is from their debut album Horror Vacui which was released in 2016. Marianas Rest plays melodic death metal and this song has a very sombre and desperate atmosphere that I like. I think these guys may be on to something…

Katla (Iceland) – Hyldýpi

Okay, so I go with post-rock again for Iceland. There is a fair amount of black metal bands in the country, but this is a subjective list and I am not a huge fan of the genre. Katla is a new band with only two members, and the drummer is actually Guðmundur Óli Pálmason who also plays on Sólstafir’s Djákninn above. He got fired from the band in 2015 for some reason and it is my understanding that many fans have been upset over this. Anyway, this is now his new band and I think this sounds really interesting.

Green Carnation (Norway) – Light of Day, Day of Darkness

I shall leave you with this pearl. Green Carnation’s Light of Day, Day of Darkness is without a doubt one of my all time favourite albums. It consists of one one-hour long song, but I here set the starting point where, in my opinion, one of the most brilliant six minutes in the history of music begins. Just listen to this absolutely marvellous guitar solo! Only a monster could dislike this.

That is all for today then. I truly hope you found something here that you liked since I have put way too much time into this. My sincere apologies to Åland for my inability to find anything to include in this post.

Insomnium, Swallow the Sun and Pressure Points at Rytmikorjaamo, Seinäjoki 14.10


Okay, so there are several reasons to why I should not write this:

  1. I wrote about Insomnium as recently as in June when they played at Provinssi in this same city.
  2. Risk for clouded sense of objectivity due to fanboyism.
  3. I should be working on my M.A. thesis.

However, there is one important thing that crushes these arguments, and this thing is called Winter’s Gate. But let us first deal with the two other bands that played this night.

The progressive metal band Pressure Points was the first band to play. The band did not get more than about half an hour, but I think they managed this time well. I had not listened to these guys before, but I did listen to most of their second and latest album False Lights the day before and it sounded quite interesting. There were some really cool vocal harmonies, interesting tempos and impressive guitar playing in this live show. Of course, it is fairly difficult to say much about such a short gig, but I really think those who like progressive stuff should check this band out. We would get more of guitarist/vocalist Kari Olli later this night since he filled in for Insomnium’s Ville Friman who could not be present this time around.

I have never seen Swallow the Sun live for some strange reason, so it was very convenient that they performed before Insomnium this Friday. This gig must be one of the strangest and most ambiguous I have ever witnessed. I do not mean this as a bad thing. The band started by playing the first half of the set in a semi-acoustic manner with songs such as The Heart of a Cold White Land and Songs from the North, and then suddenly passed into the heavy 10 Silver Bullets, which by the way is an awesome live song. After this followed songs like Hate, Lead the Way!, New Moon and Descending Winters.

I feel a little split about the setlist. I do think it is an interesting move to play several acoustic songs, but I would personally prefer if one of these songs were dropped in favour of another heavy song in this context. For example, the title track Songs from the North, where there is a great deal of female vocal backtrack, could be replaced with a song from the heavy third disc of the latest massive triple album Songs from the North.  The situation would be another if Swallow the Sun was the main attraction and thus would have a longer set. Nevertheless, it was an interesting and well played set.

Now to this night’s main attraction. Insomnium just released the new album Winter’s Gate about two weeks ago. I did not get my hands on it until last Thursday, but I have listened to it a lot the last week. This is the thing: I love the band from earlier, but this album is something out of the ordinary. I know it is really way too early to say this, but I am still pretty sure that it will end up as one of my all time favourite albums. The one-track-forty-minute-album has no weak parts whatsoever, and it offers sides of Insominum that we have not seen fully before. In my opinion, it is the band’s heaviest, darkest, fastest and most progressive album so far. In other words, it is epic death metal at its best. Also, the production is outstanding.

Naturally, I had very high expectations for the show, but at the same time I was a little afraid that it would not live up to the album standard. But, goodness gracious, it did. As mentioned earlier, Kari Olli stepped in when Friman was not available, and he did a very good job indeed. Markus Hirvonen proved that he is a monster behind the drums, bassist/vocalist Niilo Sevänen delivers massive growls and refined bass playing, and Markus Vanhala plays first-rate guitar. It is just so awesome to get to hear such an epic as Winter’s Gate in its entirety live. The wall of sound that is created is monumental when the song is performed so well. Insomnium has without a doubt developed a great deal as a live band in the last few years.

I have earlier only seen Insomnium at festivlas, so this was actually the first time I got to hear them play a full set. The band began with the whole of Winter’s Gate and then moved on to songs such as The Gale, Mortal Share, Drawn to Black, The Killjoy, Ephemeral, The Promethean Song, While We Sleep, Where the Last Wave Broke and wrapped the set up with the always marvellous Weighed Down with Sorrow. Above the Weeping World is thus still very much present in the setlist due to its ten year anniversary. It must have been a great set since my neck can barely hold my head where it is supposed to be today, and this is, as we all know, a very good standard measure of value.

If you, like me and other sensible human beings, enjoy Winter’s Gate, you have to go see Insomnium perform it live if you have a chance now when they play the whole thing in Finland or later during the European tour in January. We do not know when this will happen again, if it will happen again at all. Take the chance now, because this is some of the best acts Finland has to offer. But beware, Insomnium has now released the beasts of winter!

Festival report: Thursday 30.6 at Provinssi, Seinäjoki


Provinssi is one of the largest festivals in Finland, and the selection of artists and bands is very versatile. The drawing card this year was Rammstein, who performed on Saturday. Other bands and artists on the festival were Biffy Clyro, Bring Me the Horizon, Action Bronson, Silvana Imam and many others. I was only present on Thursday this year, mainly to see Nightwish, Insomnium, Flogging Molly and Five Finger Death Punch. This report will be heavily textual since I have not been able to find photos that I could get permission to use. I apologize for this inconvenience.

It has been too long since I last got to see Insomnium live, so I made my way to the festival area just in time to see the band’s gig at 5:30 p.m. I was a little worried that they would not draw so much attention, but to my relief quite a great deal of people showed up for the set. Insomnium played five songs from the highly acclaimed album Above the Weeping World for the reason that it is ten years since it was released.

  1. The Primeval Dark
  2. While We Sleep
  3. Change of Heart
  4. Only One Who Waits
  5. Down With the Sun
  6. Revelation
  7. The Killjoy
  8. Devoid of Caring
  9. The Gale
  10. Mortal Share
  11. Ephemeral

I am not absolutely sure if I got the middle songs in right order since I was distracted by the deluge that struck about half way through the set. However, these were the songs the band played. I was really hoping for The Killjoy, so I am very happy that I got to hear it even though I was struggling to get into the disposable raincoat at the same time. The heavy rain caused some problems for the band as well, since their crew had to move speakers and such further onto the stage because a lot of water came down on the front of the stage. Guitarist/clean vocalist Ville Friman‘s guitar was out for most part of Devoid of Caring, and Markus Vanhala‘s for a short while towards the end of the set, probably due to the fact that everything got wet. But as professionals, the band members kept going and they did it brilliantly. For some reason I have always thought that there is something very sympathetic with Insomnium. A great bunch of lads, in other words. Vocalist/bassist Niilo Sevänen is a great front man and he sincerely thanked the audience for staying despite the torrential rain. After all, heavy rain is always really metal, which the circle pit proved. (It always rains at Provinssi when I am there, so I assume it is because of my presence. My apologies to everyone who got soaked.)

As I said, I really enjoyed the selection of songs in Insomnium’s set. The Primeval Dark is a perfect opening song, and drummer Markus Hirvonen gets to shine and set the beat. While We Sleep and Revelation from the most recent release works very well live, and Ephemeral is a song with very good drive that wraps the set up nicely. Furthermore, The Killjoy and Mortal Share from Above the Weeping World are real killer songs live. I believe Insomnium is becoming a better and better live band with time, and they showed the audience in Seinäjoki what they are made of. Now, those of you who have read my previous posts may foretell that I am something of fanboy of this band. I admit this might cloud my sense of objectivity to some extent, but I am still very sure that Insomnium’s gig was great this day.

With soaked shoes completely wet jeans from the knees down, we walked towards the main stage to see Flogging Molly. The band took some of the blame for the weather and said that they brought it with them. I have not really ever listened to these guys, but I roughly knew what kind of music they play. Flogging Molly is an Irish-American band that plays what could be described as Celtic punk. In addition to the usual rock band instruments, the seven members of the band plays instruments such as banjo, accordion and violin, which I find really refreshing.

Flogging Molly entertained the audience with an energetic and cheerful performance. The band played songs such as Drunken Lullabies, The Hand of John L. Sullivan, Saints and Sinners, Requiem for a Dying Son and Tobacco Island. At the very end of the set when the band was about to leave the stage, the sun came out and Flogging Molly decided to do one more song for us just because of that. I believe it was actually a spontaneous move, since they had already thrown most of the beer (Guinness of course) into the crowd. Singer/guitarist Dave King really opened up during the gig, which made the atmosphere very pleasant. Flogging Molly’s set was in every way merry and the songs were well executed. I think everyone felt a little Irish afterwards.

Five Finger Death Punch is a band that I do not really fancy, mostly because of the frequently quite childish lyrics and pop refrains that do not really fit with the usually quite heavy verses. But I will try to be objective here. I  cannot deny that the Americans have quite a great deal of hits (for some reason), and the audience got to hear several of them, for example Never Enough, Bad Company, Wrong Side of Heaven and Jekyll and Hide. FFDP played their songs well, but I think singer Ivan Moody sings a little slipshodly off and on, like a steam engine that is running quite well but there are some pieces of coal that are damp.

Anyway, the crowd responded really well to the music and Moody claimed that it was one of the best audiences the band has had. He actually sounded quite sincere about this, so I do not think that it was something he says all the time. Thus, the band members seemed to enjoy themselves, which of course always makes a gig more attractive for the crowd as well. The highlight of FFDP’s set was for me The Wrong Side of Heaven with guitarist/backing vocalist Jason Hook  playing the acoustic guitar, since it was the song that stack out the most. Five Finger Death Punch was quite alright in the end.

Nightwish was the headliner of this Thursday. I have seen the symphonic metallers many times, but they never seize to amaze me live. It is pretty hard to grasp how such massive and epic music can be delivered so well live. Nightwish played many songs from the newest album Endless Forms Most Beautiful, which makes sense since it is the first album with present singer Floor Jansen.

  1. Shudder Before the Beautiful
  2. Yours Is an Empty Hope
  3. Ever Dream
  4. Élan
  5. Weak Fantasy
  6. Sahara
  7. Storytime
  8. I Want My Tears Back
  9. Nemo
  10. Ghost Love Score
  11. Last Ride of the Day
  12. The Greatest Show on Earth

Firstly, the sound was just great as usual. Nightwish must have some of the best sound engineers there is, because the sound has been amazing every single time I have seen the band live. In addition, the band members rarely do any mistakes, neither with song nor instruments, so the performance is indeed quite clinical on that front. Jansen’s and bassist/singer Marco Hietala‘s voices fit together very well, and the parts where the two sing together sound marvellous.  It is like a symbiosis such as a mycorrhiza. Jansen is highly versatile, which means that she can sing both the older Tarja songs and the Anette songs without any problems whatsoever. Furthermore, I think she manages to do them to her own in a very good way. All respect to Jansen. Touring drummer Kai Hahto also needs an honourable mention since he does an impeccable job behind the drums.

I enjoyed the fact that Nightwish ended with the twenty-minute epic The Greatest Show on Earth. I would say that it is quite unusual for any band to play those kinds of lengthy songs, and unusual things are usually interesting in my opinion. I was also happy that they played Sahara although I have heard it live before, but it is a great live song and one of the band’s heavier ones overall. Nemo could perhaps be dropped from the set since I am very tired of that song. On the other hand, I understand that the band needs some of the older hits in the set that is otherwise proportionately characterized by fairly recent songs. To summarize I will say that it is almost a crime not to have experienced Nightwish live if you like metal music and live in Finland. The band is a something of a national treasure, and seeing them live should really be in the curriculum of life.

Provinssi was very successful this year. The festival set a new record for visitors on one day when 31 000 people visited the festival on Saturday. I enjoyed Thursday even though I wore shoes that were soaked for about six hours after the flood during Insomnium. My feet looked like those of a dead man when I took off my socks afterwards, but rain is metal.

Festival report: Saturday 25.6 at Nummirock, Kauhajoki


Midsummer is for many metalheads in Finland strongly associated with Nummirock. This year was special since the festival celebrated 30 years, which tells quite a great deal about its popularity and status. This was the third time I visited the festival with its beautiful scenery next to lake Nummijärvi. Nummirock is dedicated to quite extreme music such as black and death metal, but there are also always some more traditional acts at the festival. This year’s festival offered bands such as Children of Bodom, Trivium, Fleshgod Apocalypse, Mayhem, Marduk, Amorphis, Dragonforce, Wolfheart, Stratovarius and many, many more.

My visit started with A.R.G., a Finnish thrash metal band founded in 1987. The band held a long break from the middle of the 90’s until 2011, when A.R.G. did a comeback gig with its original line-up. In 2015 the band released a new record, Redemption from Refaim. The music is quite straightforward thrash comparable to bands like Slayer, and most of the songs that A.R.G. played on the Kaaos Stage this Saturday were really fast paced and featured a great deal of blastbeats. The sound was a little muddled, which is a pity because some of the interesting guitar lines was really difficult to hear properly. Still, A.R.G. delivered a decent set despite the fact that one of the guitars had to be changed in the middle of a song because of some technical problem. By the way, guitarist Jari Kelloniemi looks a lot like Dave Mustaine. Almost in an alarming manner. A.R.G. got to witness a wall of death consisting of five brave individuals, which is very much in line with the spirit of the festival as a whole.

Next up on the Inferno Stage was the Australian technical deathcore band Thy Art Is Murder. I can honestly say that deathcore is not my cup of tea, but I can understand the appeal of heavy breakdowns combined with fast parts. Still, for me it feels like creativity is lost somewhere on the way due to the fact that the songs are so similar in structure. Something I do not understand is the occasional use of pig squeal vocals. Seriously, why does anyone do that? Thy Art Is Murder performed their songs well and the singer Lochlan Watt made a really energetic appearance which the audience seemed to enjoy. Watt has recently joined the band and it is possible that he is only temporarily touring with them, but he did a good job. As a sidetrack, Watt pointed out that it is kind of funny that the festival is sponsored by the Australian beer Fosters, since he claimed that Australians do not really drink it themselves. Back to the music. The mixing was splendid here and the sound was therefore very good, which of course improves the overall impression of the performance. Thy Art Is Murder kept the circle pit going and the heads banging.

Trivium was the next band on the Green Main Stage. This was the first time I have had the opportunity to see these Americans, and they did not disappoint me. Trivium played songs such as Strife, Watch the World Burn, Silence in the Snow, Pull Harder on the Strings of Your Martyr and  Down From The Sky. The band played quite a varied set with old songs and newer ones, and this mixture works quite well. The sound was not spot on since I had trouble to her singer/guitarist Matt Heafy‘s vocals sometimes, but it was not so bad that it would have spoiled the set. The first few songs did not really get the crowd going, but Trivium received more and more response further into the set . There is really nothing to complain about concerning Trivium’s gig, and the band made sure to keep the audience in motion all the time. All the songs are very professionally performed and In Waves works surprisingly well as the final song of the set in my opinion. Trivium ended up giving me a slight bangover on Sunday.

Trivium (Matt Heafy, Corey Beaulieu, Paolo Gregoletto, Paul Wandtke) from Orlando, FL, USA performing Heavy metal/Thrash metal at the Nummirock Metal Festival 2016 - June 25.6.2016 - Kauhajoki, Finland.
Trivium in action. Photo by Jussi Panula.

Peer Günt, founded no later than in 1976, was a band that I looked very much forward to see since I have never seen them live before. I have really only heard the band’s radio hits like Bad Boys Are Here, which they opened with now, and I don’t Wanna Be a Rock’n Roll Star and Backseat, which was the the band’s finale this evening. Peer Günt exceeded all my expectations. Great sound and great musicianship, and their rock’n roll came as a very nice variation to the rest of the line-up of bands on this Saturday. Singer/guitarist Timo Nikki is the only original member, but both the bass player Pete Pohjanniemi and drummer Sauli “Sakke” Koivula played excellently. I am always a little extra impressed with trios that sounds so good live.

Peer Günt (Timo Nikki, Pete Pohjanniemi, Sakke Koivula) from Turku, Finland performing Hard Rock at the Nummirock Metal Festival 2016 - June 25.6.2016 - Kauhajoki, Finland.
Peer Günt. Photo by Jussi Panula.

The highlight of Peer Günt’s set for me was actually a really bluesy song which I sadly do not know the name of. Nikki’s guitar playing is really awesome in my opinion, which the solo in this song showed. He occasionally also takes out the slide and uses it as it would be a part of his body. Well, it is on his finger so it is not that far from that, but still. Nikki’s voice is also up to standard, and all the songs sounded just great when these three men were on the stage. As is customary at Nummirock, there was a mosh pit during Peer Günt’s gig. I imagine that is something quite unusual for the band, but they did indeed deserve something of the kind. It was truly a pleasure to get to see these guys and I have nothing negative to say about them whatsoever.

Children of Bodom finished up this year’s Nummirock. It has been quite a while since I last saw Alexi Laiho and his men. As far as I remember, I have not been so impressed with the live sets the previous times. The execution has felt kind of sloppy and the sound has had a tendency to be somewhat blurry. This time was different. CoB played quite a good mix of fast songs and mid-tempo songs, and also old songs and newer ones. The band opened with Follow the Reaper and continued with In Your Face. After that followed songs such as Morrigan, Everytime I die, Angels Don’t Kill, I Worship Chaos and Hate Crew Deathroll. CoB really put on a show this time, and they sounded really good all the way through.

It seems like CoB has improved their live appearance quite a great deal since the last time I saw them. Pretty much everything is better now, which perhaps is needed nowadays when music does not sell like it used to. The band does indeed have the material to offer great gigs, and I am happy that they have seized that opportunity. Now the members of CoB remind us why the band is one of Finland’s most prominent both at home ground and internationally. Children of Bodom ended this year’s Nummirock in all their splendour with Downfall, and everyone lived happily ever after. Or something like that.

Nummirock Metal Festival 2016 - June 26.6.2016 - Kauhajoki, Finland.
Children of Bodom firing up. Photo by Jussi Panula.

Nummirock was a great success this year as it had had 19 500 visitors, which is the festival’s greatest number in the 21st century. Nummirock is without a doubt a very special festival and anyone who is into metal should certainly give it a try. Nummirock is the kind of festival where people may wear silly costumes or be all black metal painted, where a big man may walk past you with nothing but a bath towel around his waist and an ice cream in his hand when coming straight from the sauna, and a place where mosh pits and circle pits flourish like brushwood in a neglected meadow. Come as you are and enjoy the music and all kinds of people.